The Age of the Grasses. Zakrocki/Majewski

Majweski zakrocki

Artur Majewski – cornet, delay
Patryk Zakrocki – viola, mbira, ring modulator

Trumpeter Artur Majewski (Mikrokolektyw, Robotobibok, Tone Hunting) and viola player Patryk Zakrocki (SzaZa, Spontaneous Chamber Music) emerge on their album as explorers of a unique, organic aural environment. The music collected on the record relies on the manipulation of sound and space. It seems to be breathing or to be a breath ? it just lasts like the swoosh of forest trees or the murmur of a stream that flows through the forest.

The instrumentalists strive to make their music as organic, intuitive, autonomous, vegetative, habitual, primary ? and almost primaeval ? as possible. Once there was no music ? there was only music-making. The world was simple and homogeneous, which is not pejorative, as ? when seen up-close ? the world is always dissimilar and diversified. Devoid of ego wars, maximally social, collective, democratic and ? as a result ? thriving. Rhythmical, not propelled by mechanical automatism, but driven by biology. Two people constitute the smallest society ? the duo is the smallest musical ecosystem. Millions of years ago the Earth was covered mostly with grass and everything was in perfect working order back then.

The Age of the Grasses bandcamp

Zakrocki Olak

Marcin Olak – guitars
Patryk Zakrocki – viola, violin

Olak. Zakrocki. Wielecki.
Spontaneous Chamber Music

It?s all about improvisation. Open, with no limits.

We come from different backgrounds. We played on the jazz festivals and with symphony orchestras – actually we composed for them. We wrote and performed music for movies and theatres. We gave masterclasses on improvisation. We played ancient and contemporary music. We were leader and session musicians. And now we play together, searching for new sounds. We mix chamber music with? well, with everything. We improvise.

In January, 2016 our first album, Spontaneous Chamber Music, vol.1, was released by Słuchaj Foundation, media support is provided by

Olak / Zakrocki / Wielecki

Zakrocki / Olak

Info / Bio


Patryk Zakrocki

Musician, improviser, composer, sound artist, and illustrator (born in 1974 in Warsaw). He currently plays violin, oscillators and electric mbira as a half of the duet SzaZa and together with the guitarist Marcin Olak, alters the melodies of old music boxes, and co-creates two unique projects of his own conception: Gabinet Ucha Wewnętrznego / The Inner Ear Massage Parlour and Kino Dźwięku / Sound Cinema.

He passionately conducts improvising orchestras and choirs, works with chamber and electroacoustic music, and pushes the possibilities of audio drama. Patryk Zakrocki released 12 albums, including two solo works. Aside from countless shows in Europe, he also performed in USA, Island, Uruguay, Israel, Egypt, China and Japan.

Selected works


“Hel -psycho thriller by Amondo films”

Solo Albums

Patryk Zakrocki “Osmędeusze czyli ulotności i bazgroły wg Mirona Białoszewskiego”
CD Bółt 2014

Patryk Zakrocki “Martian Lanscapes”
CD Bolt records 2013

Patryk Zakrocki “Prace z obrazkiem”
CD Monotyperecords 2006

Projects and Bands

Lost Education “Book of dreams” Hanna Piosik, Paweł Szamburski, Patryk Zakrocki
CD Lado abc 2017

“Warsaw Improvisers Orchestra live at CSW” first set conducted by Patryk Zakrocki, second set conducted by Ray Dickaty 2016 CD Fundacja Sluchaj

Zakrocki Olak Wielecki “Spontaneus Chamber Music vol 1”
CD Sluchaj 2016
“Spontaneus Chamber Music vol 1”

SzaZa “Przed Południem Przed Zmierzchem”
CD Lado abc 2009

Tupika “Broń rasowego marzenia”
CD Wyd. LadoABC 2006
“my space tupika”

Zaklad Produkcji Dźwięku “audio mental notes”
CD – 12 słuchowisk i trzy utwory elektroakustyczne;
wyd. Bęc-zmiana 2005

EA “ol” CD – muzyka elektroakustyczna;
wyd. Mystery Sea 2003

EA “11’00” EP – muzyka elektroakustyczna;
wyd. Drone 2002

Galimadjaz “muzyka identyczna z naturalną”
CDR – improwizowana muzyka kameralna;
wyd. Katiusza POP, 2002

EA “R” CD – muzyka akuzmatyczna (dźwięki otoczenia)
wyd. Ignis 2002

EA “~.” CD – improwizowana muzyka elektroakustyczna;
wyd. Staalplaat/Opencircuit 2000

EA CD – improwizowana muzyka elektroakustyczna;
wyd. Cpt. Sparky 1999

MEOMA “” CD – muzyka elektroniczna;
wyd. Cpt. Sparky 1998

+galimadjaz trio “koncert z galerii off”

+trio Kossak/Wypych/Zakrocki “7improwizacji”

Other Projects

Kino Dźwięku – Sound Cinema ECC 2011, MEN 2013
“Sound Invasion” – acoustic concept for Zachęta gallery 2009


Macio Moretti – drums,
Piotr Kaliński – percussion,
Patryk Zakrocki – tuned pots


Kamil Antosiewicz – elektronica, prepared drum machine, field rec.
Marcel Marcin Kuśmierczyk – elektronica, sampler
Vion – elektronica, field rec., sampler
Patryk Zakrocki – prepared tascam multitrack hd recorder, prepared guitar, objects, electronica.



Ea (CD, Album)
Cpt. Sparky Publications

R (CD, Album, Car)

Öl (CDr, Album, Ltd, Num)
Mystery Sea

Singles & EPs

11’00 (7″, Ltd, Cle)
Drone Records


[~.] (CDr)
Open Circuit

Sounds by EA: A hair dryer in a carton box, a beer bottle on a marble floor, clerks in a bank inputting withdrawal transactions, automatic doors leading to a shopping center garage, a central heating system, a doenner vendor, machines at a dry cleaner’s, putting on pajamas, sunflower seeds, a bathroom drawer for cosmetics, a gear box, rain in a forest, a wild cat under a table, water sounds at a swimming pool, moaning of an elevator, dragging a Christmas tree upstairs, a coffee automate at an MTV office, damaged fridge at midnight, jumping on a bed in a parents’ bedroom, a toilet flush in the changing room of a fitness center, ice tea sipping, talking to a grandmother sounding different on the phone, sweeping a floor while playing with a dog, searching for a torch in a basement, flags in the wind in an abandoned district, breaking wooden sticks, feeding pigeons in an old town, steps in a hospital corridor, a mini waterfall in a garden, rather unrecognizable playground soundscapes, scissors on paper 20 minutes after the start of the new year 2002, throwing books through a window, aluminum cans being squeezed, boiling tomato soup on a Friday, checking in at the Warsaw airport, plastic bags full of nails, old family Hi-8 cassettes, a heartbeat, a crowded square, an air conditioner, chalk on the blackboard, a microwave oven turning on, shoe polishing, touching anything, a plastic bag in the wind, underground, some insects caught in a glass bottle, swallowing, a glow lamp, a paper ball falling from a table, a sustained tone of a trolley passing by, a hard disk and a floppy disk, a dial tone, footsteps on a slippery wet floor, a mechanical clock, water dripping, hair, a pencil, a ventilator, grass, a resonating electrical hum coming from the flat above, a zipper, boiling oil, calmness, undressing, hammering, a cat licking its fur, a summer breeze at the sea, scraping a wineglass against a window, an infected nostril breathing, a fire stake, sand dunes, haikus being uttered, paper towels in the toilet, tram brakes in a tunnel, continuous folding and unfolding of a celluloid plate, an empty office, horses running in the distance, ants in a frenzy, stirring some liquid in a mug, biting one?s nails, birds nesting, cleaning the mirror in a bathroom, metal on metal, workers? shouts from behind a window, playing under the shower, making faces, touching jack plugs with wet fingers, coughing, lighting a cigarette, playing roulette, putting on a backpack, sorting a bunch of visit cards, air coming through a narrow gap under a door, licking a contact mike, burping, an analogue radio scale, giving birth, crickets, a traffic jam, barbed wire on wood, squeezing a plastic ketchup bottle, ice on the lake “singing” during heavy winter, a ship coming back to port, the Romanian language, a harmonica out of tune, a child in the cradle gurgling, some open space, Rubik?s cube, riding a bike, a vacuum cleaner, freezing water, tubular-shaped objects, dungeons, electromagnetic induction, tearing something apart, frying pork, a CD spinning in a CD player, spraying deodorant, fish in an aquarium, meat, a ball pen, scratching, a quarrel, old women in church in Legnica speaking about their health problems, matches, night.

EA consists of Membrana (Kamil Antosiewicz), Viön (Artur Jaworski) and Patryk Zakrocki.

Membrana (Mem) is Kamil Antosiewicz, a connection-maker and writer/editor who works for WWW, the first Polish Internet magazine, as its cyberculture editor. Antosiewicz released the 3-inch CD Obiekt 640 (with Facial Index on Polycephal) and then Tektonika (with Viön and Facial Index), which links sonic trophies from his Moroccan travels with droning elements. His recent interests include the decontextualization of sound material and experiments with primal structures of non-organic origin—white noise and sine waves—transforming them into sounds of an organic nature.

Patryk Zakrocki releases his work under the name of Meoma. His current interests are concentrated in acoustic music and composition. Believing a score to be equally as important as free expression, he experiments during live sessions and studio works with various techniques as a guitar and violin player. His recent works include performances with a punk-rock string quartet and free-jazz jams with various musicians. He organizes regular improvisation sessions at Warsaw’s club Jazzgot, where he plays with invited guests.

Viön (a.k.a. Artur Jaworski) is concerned with the inexplicable magic behind sound and explores the relationship between physical phenomena and human perception. He pays attention not only to the final piece, but to the listening experience itself. A major part of his work is aimed at total sound immersion in a location. He says that it is impossible to create this kind of music—it is only possible to notice and discover it. He experiments with space as a processor of sound, often re-recording sounds in different spaces, revealing the unexpected. VIÖN released his debut album flashbacks on Cpt. Sparky in 1999. Later, as an EA member, he appeared on [~.], r, 11.00 and also on compilation releases. With Membrana (Mem) and Jacek Staniszewski he is part of the trio Viön/Membrana/Facial Index, which released the debut CD Tektonika on Polycephal in 2001. Most of his new sounds appear on his web site . Currently Viön is finishing the recording of his 3D album, which will be available as a DVD-Audio.



1997-1999 IDM Drum n Bass Ambient project from Warsaw
Tomasz Sikora – drum programing, sampler, electronica.
Patryk Zakrocki – mbira, violin, sampler, synth, drum programing, percussion

CD album Cpt. Sparky Publications Spark 001 1998

Kava Kava

Kuba Bałdyga – dr,
Marcin Wężowski – voc, bass,
Jacek Wesołowski – rythm gt,
Patryk Zakrocki – solo gt


Fucking Flowers

Adam Skorupski Skorup – voc,
Szymon Bielewski Bielak – dr,
Tomasz Bandyra Tomecki – bass,
Tomasz Kosiorek – rythm gt,
Patryk Zakrocki – solo gt


Sound Cinema

Kino Dźwięku / Sound Cinema


The Sound Cinema is a place for the observation of sounds. It presents stories told without words, images formed by the movement of sound, audio postcards from remote corners of the globe, and imaginative constructs in time and space. Audiences will step out of the hubbub of the congress grounds straight into a unique space, where they will hear paramusical projects and archival radio shows.

Projections will be held in the historic sound engineering studio at the Wrocław Feature Film Studio. The morning program will feature radio dramas for children, while in the afternoon audiences will hear multi-channel pieces, field recordings from all over the world, masterpieces of musique concrete, radio dramas, electronic and electroacoustic compositions, both new and archival – ones that delimit the boundaries of music itself and ones that define its very essence.

The crew:

Patryk Zakrocki – spiritus movens of Sound Cienma (Kino Dźwięku).
Dawid Bargenda – executive, communication, logistic, other
Michał Anuszewski – sound engineer
Liliana Chromińska, Piotr Czerny – team

kino ludzie




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The Inner Ear Massage Parlour



The Inner Ear Massage Parlour is a charlatan’s project, mixing truth with fiction, the absurd and grotesque but treating things in a professional and serious manner. With reference to traditional shamans and the barber surgeons of medieval Europe we can find the very deep connections between medicine and music – healing through listening (sound). Our work is different from that of the conventional approach of music therapists, but we remain open to the inspiration and knowledge that comes from this trade. As charlatans we are absolved and free from convention, but as good-hearted people we have the best intentions towards what we do. In accordance with the science and wisdom of professor Ripplemark we play and heal, equally others as ourselves.


GMUW on Facebook




Products of ZPD are one- and multi-layer intentional objects, existentially grounded in music scores and standard audio media. Our client gets a phonographical picture of a performed piece of music, stored on a compact disk.

Absolutely all ZPD products, musical compositions and recordings, complie with related assumptions of phenomenological aesthetics.

Each of our manufactured articles is a schematical entity, worked out in the way to get its full characteristic peculiarity only during the process of individual perception. Artistic properties consisting the core of a product, merged with construction elements, partially determine the final shape of an aesthetical object that appears in a listener’s consciousness. The ultimate completement of that shape is performed by listener’s imagination, activated by the core properties (given directly in perception). That is a tested and never-failing technical solution, based on a well described process of concretization (R.Ingarden, M.Merleau-Ponty, H.G.Gadamer). It utilizes even unconscious psychical processes and fails only in the case of heavy break-down of the listener’s central nervous system.

Thanks to the application of a substantiation process in the final product forming (what has been unheard-of in the industry till now), the object of listener’s contemplation is partially constructed by himself. Our client has always an opportunity to shape the product accordingly to his own preferences, to take it and to read it in many different ways. That is why each contact with a ready ZPD’s product is an individual and interactive aesthetical experience.

ZPD products exist timelessly. As pure intentional objects they do not undergo corrosion, degradation and are invulnerable to any chemical or physical agents. The only condition of their existence’s continuity is at least one ‘existential basis’ like: musical score, sound recording information – and the existence of correct interpretation (‘reconstruction’) methods of those kinds of information.

Prof. Ripplemark

prof. Ripplemark

filozof dźwięku, znawca i miłośnik muzyki, wielokrotnie nagradzany oklaskami, cmokaniem i szelestem. Jest autorytetem w dziedzinie udźwiękawiania animacji. Swój czas dzieli między pracę naukowa, polegającą na poszerzaniu obecnego stanu wiedzy w zakresie akustyki, a wyprawy w poszukiwaniu żadkich dźwięków, których ogromną kolekcją wzbogacił magazyny Zakładu. Szerzej znany jako propagator hasła słuchaj uchem a nie brzuchem, promującego aktywne delektowanie się dźwiękiem.
Jest autorem wielu ważkich dzieł i rewolucyjnych tez, lecz wrodzona skromność nie pozwala mu ujawniać własnych zasług.





SzaZa czyli duet Szamburski / Zakrocki.

SzaZa’s (Paweł Szamburski / Patryk Zakrocki duo) music is a unique blending of seemingly opposite extremes ? of noise and silence, pop and contemporary chamber, beauty and ugliness, of sophisticated wisdom and pure, naive thoughtlessness. Using clarinets, violin, analogue loopstations,
subtle effects and interaction with the audience, the musicians seek to collapse those oppositions, attempting to free both the stage and the audience from the bonds of rules and cultural expectations.

Patryk Zakrocki and Paweł Szamburski are multi-instrumentalists, improvisers and promoters of culture who have been active on the Warsaw improvised music and independent art scene since 1999. Szamburski and Zakrocki create music for theatre, film, silent movies and contemporary dance. They
are members of the Warsaw-based independent music label Lado ABC and the Lado cultural association, whose activity over the last ten years has contributed a great deal to the dynamic development of new music in Poland.

Credit line: [Venue, eg. The Brooklyn Academy of Music/Cinefamily/SFFS etc] and the Polish Cultural Institute in New York in association with Unsound


Normal Bias


NB is a team: Patryk Zakrocki and Radek Duda – audio, Piotr Szamburski – video

The Normal Bias has begun its time of infancy by four films, thematically related to its original name: Black Taxi. The films showed a story of a black taxi that drove off with friend’s clarinets during one night. Particular elements of that series are connected with one, hidden word.

The next project of the group is, caused by child-like curiosity, a desire to explore nature as a realm of sound. ‘Nature Study’ is a series of experiments with live processing of sounds of nature and an use of the landscape as an opportunity for an acoustic wave deformation. This will be a period of gathering knowledge and material.

Normal Bias, enriched by gains of fruitful childhood, will finally mature into performing of electronic and electroacoustic music classic pieces. The rendition of four Variations by John Cage will mark the beginning of the stage. It will be another series, realised in parallel, called ‘Envelope Bastards’.





Lado ABC

Monotype Records

Bolt Records


Fundacja Bęc Zmiana

Małe Instrumenty


Pracownia Fizyczna z Łodzi

co to za teatr z Gdańska

Mitsuru Katano


Schronisko dla słów


Muzyka w Warszawie

Kawa w Warszawie

Kawa i muzyka w Poznaniu

Historia warszawska

Muzyka w Tokio

Kino w Los Angeles


5 faces of improvisation



Galimadjaz trio Szamburski/Usenko/Zakrocki
various Galimadjaz

live film score:
SzaZA plays Polanski

spontaneus dance performance:
Fizyczna SzaZa

Warsaw Improvisers Orchestra

Improvisation, which is a spontaneous composition depends of the tool

One face

amplified and modified viola solo

Second face

setup: Viola, electric Mbira, Oscilator

Third face

viola, violin, trumpetviolin

Fourth face

moog oscilators and filters

Fifth face

conduction – spontaneus compositions for variable ensambles

I’ve performed with many outstanding artists: Tetuzi Akiyama – acoustic guitar, Kuba Kossak – basson, Fred Frith – conductor, Sebastian Wypych -double bass, Kostek Usenko – cello, Noel Akchote – acoustic guitar, Kazuhisa Uchihashi – electric guitar and daxophone, Macio Moretti- drums, Franz Hauzinger- trumpet, Koichi Makigami- voice, Burkhard Stangl – electric guitar, Norbullo Kontrabacz – double bass, Radek Duda – electronica, Paweł Szamburski – clarinet, voice and electronica, Raphael Rogiński – electric guitar, Clementine Gasser – cello, Hubert Zemler – dums and percussion, Piotr Kaliński- percussion, Piotr Dąbrowski – percussion, Maciej Cierliński, Sergey Ohrimchuk – violin, Rafał Mazur – acoustic bass, Emiter – electronica, Tomek Chołoniewski- drums, Maciej Trifonidis – acoustic guitar, Michael Zerang – drums and percussion, Mateusz Szemraj – oud, sarod, Mateusz Siesicki – objects, Dj.Lenar – turntables, Adam Różański – percussion, Jacek Mazurkiewicz – double bass, Asja Czajkowska – voice, Paweł Szpura – drums, Maurycy Zimmerman – electronica, Isabele Duthoit – clarinet, voice, Wojtek Traczyk – double bass, Ned Rothenberg – sax, India Czajkowska – grand piano, voice, Michał Górczyński – clarinet, David Helbock – grand piano and many magnificent others.

Zespół Muzyki Niedawnej/ Not So Old Music Ensemble

Zespół Muzyki Niedawnej / Not So Old Music Ensamble Time oriented ensamble of improvisers, who want to explore the beauty of renesans musical language

1 the band: Patryk Zakrocki – violin, viola, Dominik Strycharski – flutes, Mateusz Szemraj – luth, Ksawery Wójciński – doublebass.



Music pure, for theater and cinema – my works


Here You are some of my precomposed and than realised works

Albums CD

Patryk Zakrocki “Osmędeusze czyli ulotności i bazgroły wg Mirona Białoszewskiego”
2014 CD Bółt (audiodrama)

Patryk Zakrocki “Martian Lanscapes”
2013 CD Bolt records (SF piece)

Patryk Zakrocki “Prace z obrazkiem”
2006 CD Monotyperecords
(chamber and film music).

Separate pieces on CD’s.

“Warsaw Improvisers Orchestra live at CSW” first set conducted by Patryk Zakrocki, second set conducted by Ray Dickaty 2016 CD Fundacja Sluchaj

“Second street has no name” Kitchen mix P. Zakrocki
2009 Beta Bow CD Wieden Austria

“Fabryka cukierków” P. Zakrocki
(“Pokój pełen baśni” CD centrum sztuki dziecka 2005)

“Nepal” P. Zakrocki
2005 “Go to cat man do” CD Monotype rec.

“Falenitz” P.Zakrocki
2005 “Sztetlach” Ireneusz Socha CD Dembitzer

2002 “Warszawa – Ścieżka Dżwiękowa” CD CITY/SONY

Multichannel pieces

“Oblokami” (8 channels) commission for Musica Electronica Nova 2015

“99 small confessions” (99 minispeakers) commission for S. Szablowski “The Voice” CSW Zamek ujazdowski 2014

“Czarodziej” (5 x mono)
2013 “Synchronizacja” Bęc zmiana Nowy teatr Warszawa

“Ściany to moje membrany/ Walls are my spekers” (5x mono wooden walls of a small house)
2013 Synchonicity Bęc zmiana

“Melodeusz” (25 mono mini players, interactive objekt/audiodrama)
2011 Mała Warszawska Jesień/ Warsaw Outumn

“Recycling” (5 multichannel pieces)
2009 W. Fibich Teatr Kana. Szczecin

“Przeprowadzka” (multichannel, interactive piece [Quadrophonic + 7 interactive instrumental channels])
2009 W. Fibich, teatr Kana. festiwal Spoiwa Kultury

“Między Uszami” (interactive, multichannel audiodrama)
2009 “Gone to Croatan” C.S.W. Toruń

“Rzezba modularna” (9 miniplayers interactive, multichannel,audiodrama)
2008 “W sztuce rzeczywistość staje się marzeniem” CSW Zamek Ujazdowski

“modular fairy tail” (12 miniplayers interactive, multichannel audiodrama)
2007 PZOTY “Projekt Praga” czerwiec;
2007 festiwal “mikro/MAKRO” Lublin;
2007 “Instrukcja obslugi” galeria Kronika Bytom .

“silent left silent right”: (7 electroacoustic pieces stereo)
2006 Galeria Klimy Bocheńskiej Fabryka Trzciny, Warszawa

“Cork messe” (electroacoustic messe)
2005 Cork: europejskie miasto kultury, Twożywo

“Wymiary/Dimensiones” (Electroacoustic piece/sound installation W. Marzec, P. Zakrocki)
2004 Galeria Klimy BocheńskiejFabryka Trzciny, Warszawa

“Most/ the Bridge” (electroacoustic piece for a paintings of A. Sokołowski, vn – Julia Kubica, vn Patryk Zakrocki)
2003 “Piętra Sztuki” Galeria Program, Warszawa

“USTA” (Electrtoacoustic piece for photography of R. Olejnik, EA)
2003 “Piętra Sztuki” Galeria Program, Warszawa 2003
2002 klub Muza, Warszawa ,

“Sielska Dolina” (piece based on imitation of animal sounds, made on symphonic instruments)
2002 “Sztuka w sklepach” ul Inżynierska Warszwa Instytut Francuski

“Tutaj” (electroacoustic piece for photography of M.Tworos)
2002 Galeria OFF, Warszawa

Theatre music

“Skin Project 2017”

“Maleńkie Królestwo”
2016 reż Kata Csato, muz. P. Zakrocki

“Brzydkie Kaczątko”
2014 reż A. Mielcarek, muz. P. Zakrocki

“Olbrzymek/Little Org”
2014 reż J. Moszkowicz muz. P. Zakrocki

“Dolina Muminkow w listopadzie”
2010 dir I. Gorzkowski Warszawa music P. Zakrocki

“12 Stacji”
2009 dir. E. Rysowa Stary Teatr Krakow muz. P. Zakrocki

“Elektra – Twarze”
2008 dir. K. Globisz; realizacja PWST Kraków music P. Zakrocki

2007 dir. P. Cieplak, współpraca Tupika; realizacja teatr Polonia music P. Zakrocki i Tupika

“Cyrk mortalis”
2006 dir. A. Adamek;. Muzyka cyrkowa do teatru lalek. music P. Zakrocki

“Kratochwileni 2006” (Muz do 2 spektakli pokazywanych symultanicznie na fosie w ogrodzie i w renesansowym pałacu Kratochwoleni)
2006 dir. P. Stourac/L. Mądzik.Divadlo Continuo music P. Zakrocki

Radio music

muz P. Zakrocki 2014

“Gajos” mu. P. Zakrocki 2013

Droga do Portugalii
muz. SzaZa 2013

Theatre music collaborations

“Undanced tango” dir L. Bzdyl 2017 Szamburski, Zakrocki

“The Curious Incident of the Dog in the Night-Time
2015 reż J. Krofta, live music by SzaZa- Zakrocki, Szamburski

“King Edyp”
2014 reż J. Krofta, live music by SzaZa- Zakrocki, Szamburski

Nius reż. K. Skolimowski / Pracownia Fizyczna, live music by SzaZa- Zakrocki, Szamburski

“Sixmeni – Obietnica Poranka”
2012 dir. SzaZaZe DaDa live music by SzaZaZe- Zakrocki, Szamburski, Zemler

2010-2014 dir. J. Owczarek i Grupa Fizyczna live music by SzaZa- Zakrocki, Szamburski

“Koziołek Matołek”
2011 dir. Ondrij Spisak teatr na Woli music P. Zakrocki i J. Mazurkiewicz

“Wojna w niebie”
2010 dir. K. Globisz i SzaZa.

“Cieplak Szaza – Rowerem do Portugali czyli o praktycznym zastosowaniu niewiedzy”
2010 reż. Cieplak, live music by SzaZa- Zakrocki, Szamburski

“Najmniejszy Bal”
2009 dir. J Ryl-Krystianowski Poznan music SzaZa

“Caffe Latte”
2009 dir. i prod SzaZa Szamburski/Zakrocki and Dada von Bzdyluf, live music by SzaZa- Zakrocki, Szamburski

“Spacer po XXleciu wolnej Polski”
2009 dir. P. Cieplak. Pl. Zamkowy W-Wa prod. G.W. music SzaZa i Ygor

“Przed południem, przed zmierzchem”
2009 reż P. Cieplak; teatr nowy Łódź, live music by SzaZa- Zakrocki, Szamburski

“Utwór sentymentalny na 4 aktorów”
2008 dir. P. Cieplak; teatr nowy praga W-wa live music by SzaZa- Zakrocki, Szamburski

“Nosorożce- czyli studium przedmiotu”
2008 dir. P. Cieplak; PWST W-wa live music by P. Zakrocki, N. Kubacz, D. Pigoński

“Auto da fe”
2005 dir. P. Miśkiewicz. music P. Zakrocki, P. Szamburski, R, Roginski. Teatr Stary w Krakowie

2003 Komuna Otwock, music P. Zakrocki, M. Szuplewski

“Dlaczego nie będzie rewolucji?”
2002 Komuna Otwock (Komuna Warszawa) music P. Zakrocki, M. Szuplewski

Film music

“Tango” 2017 reż i animacja M. Szymańska

“Foreign Body” reż Marta Magnuska” 2016

“Hel” directed by Katia Priwieziencew and Pawel Tarasiewicz Amondo films 2016

“Kairos” 2014 reż M. Szymańska, muz. P. Zakrocki

2012 dir. and anim Marta Szymanska

“Summertale” (watch the movie)
2008 dir. K. Kozyra, Galeria Zachęta

“Tak to jest”
2010 dir. Z. Solakiewicz

“Window view” (watch the movie)
2009 reż. K. Kossak

“Afrykański Sen”
2008 dir. W. Jurkow emisja HBO

“Mistrz/the Master”
trailer (zobacz trailer)
2006 dir. D. Kuciewicz, K. Bochenek.

2005 dir. M. Pieprzyca.

“Kapitan Europa” (watch the movies:)
2004/2005 Grupa Twożywo (flash animation)

2004 dir. M. Pieprzyca

2003 dir. Maciej Sobieraj PWSTiF Łódź

2003 dir. Błażej Żuławski etiuda PWSTiF Łódź

2003 dir. M. Sobieraj etiuda PWSTiF Łódź

2002 dir. M. Sobieraj etiuda PWSTiF Łódź

Film music collaborations

2011 dir. A. Zakrzewska, J. Turowicz muz. Gwińciński, Górewicz, Zakrocki

“Pomarańczarka” (watch the movie)
2011 dir. and animation M. Szymańska muz. SzaZa, PWSTiF Łódź

2003 dir. Saramonowicz, Konecki. Piosenka “I’m 30, lonely and horny” muz Mitch&Mitch

“Prawdziwa rzecz”
2002 dir. P. Szamburski, P. Zakrocki, M. Siesicki, dokument muz SzaZa

Live film score

“SzaZaZe plays polish animations”
2013 6 animations. music SzaZaZe

“SzaZaZe Themerson” (Przygoda człowieka poczciwego, Calling mr Smith, Oko i Ucho)
2012 music SzaZaZe

“SzaZa Starewicz” (Święta w lesie, Lilia Belgii, Konik polny i mrówka, Zemsta operatora filmowego)
2011 music SzaZa.

“SzaZa Polanski”
2010 first ever movies by R. Polansky, music SzaZa

Educational projects

warsztaty agd

improvisers orchestra – conduction

Daily objects Orchestra

SzaZa performative lectures about improvisation and composition